poetry
palette poetry forthcoming
weedy seadragons
burningword literary journal forthcoming
needle blight
north dakota quarterly forthcoming
fireflies in michigan
my grandmother-in-law sends me a video about nanobots in soda
querencia press forthcoming
shock front
evermore review forthcoming
MENTALLY I’M HERE
the london magazine
welcome wagon
pile press
iterations
dendrochronology
evening street press
hereditary
constellations
false letter language
empyrean
the carousers curse
escape artist
seventeen
this week ends with a weekend
door is a jar
pavement bird
hatching
the way of letting go
common threads 2023
the luxury of silence
inscape magazine
palliate
cravings
of rust and glass
better to go to waste, than to your waste
troublemaker firestarter
gravity
the ham sandwich theory
publications
empyrean
seventeen
blucifer
HDNL MAG
the act of splintering
impossible task
nest
the miracle of life and loss
i miscarried so we made carbonara
revisit
thanks, i think. —a sonnet
we leave the past in knots
thread lit mag
where the mantis shrimp are omniscient*
***nominated for best microfiction 2024
adventurer
dear writer*
***nominated for best microfiction 2025
la bella journeys
cross to bear
gone lawn
delirium tremens
heartcandy
willows wept
marcescence
from hand to sea
words & whispers
the brightest sunsets
ghost city review
enduring
addiction is a sweet dark room
2024, another new calligraphy
they drink with the sun
2023, bottlecap press
books
featured
welcome wagon
first published in the london magazine
when the apocalypse arrives at my door
i fling it wide & let my anxiety outside
without a leash & greet the welcome wagon
before me: full-armed reapers cradling
breads baked with the stench of death & pastries
filled with the hollowness that stolen purpose
leaves–all wrapped in a cute little bow sewn
of promises that nothing will ever go wrong
again (because it cant) & so i invite them inside
with that finally-gatsby kind of smile & they ask
me why my spirits are so high at The End & i
chew while i talk & ignore crumbs on the floor
& i say its because there is nothing left for me
to fear because there is nothing left to imagine–
nothing left to picture in my head during gaps
of sleep–nothing that isnt sitting here in front
of me, now, in my kitchen, eating off my plates
blucifer
the brawny cobalt archangel guards peña boulevard & his
naked, exposed-wire veins, had seemed much larger when
i first arrived in denver for a failed intervention; if you had
told me that the statue was a hundred feet tall instead of thirty,
i would have believed you, because that is the size i imagined
him to be when i heard he killed his creator. it had not been
the body committing patricide–it had only been the head: cranium
cutting through luis jimenezs leg, a too-heavy mind lashing
out at its unsolicited existence. as though the mustang had been
curbing a binge, family & friends rushed to clean up what
was left, sending fragmented fiberglass limbs off to california
to be rehabilitated, that is, to be put together, assembled whole,
either finally or again. time passes & he returns, intact & standing
not far from where he had once laid helplessly in a pile of his own
regret. now he flexes an aggressive solitary stampede into the west,
spending his time scanning the rocky embankments before him
& below him, forever charging towards the endless need to leave a place
in order to return.
dendrochronology
first published in pile press
one day you will meet a stranger
who wants to cut you open:
they will brandish a saw with teeth
like truth and lacerate layers
of you like jungle, peeling back
into your rings to count too
slowly and too loudly, hrmm-ing
and humm-ing with the patience
of a doctor uncertain of bad news;
they will ask you why your core
is a clenched onion fist devoid
of moisture, yet your
freshest rings hold the thickness
of summer air and swollen
streets and you will laugh and
you will say the rainy season
was never kind but that flash
floods kept you afloat once
you learned to stop swallowing
them whole